On 11 December 2007, Wearing was elected as lifetime member of the Royal Academy of Arts in London. In another, Family Portrait , the artist had full masks of her mother, her father, her sister, her grandmother and her 17-year-old self created, and then made self-portraits while wearing them. Become a member today ». Family resemblance is fleshed out in a series inspired by her own family album; famous portraits of Wearing as Robert Mapplethorpe and Andy Warhol (in drag) hang amid portraits of herself, wearing a mask of — herself. Conceived over the course of the Covid-19 pandemic, the exhibition focuses mainly on works made during the lockdown. Recently I’ve discovered the social network Flickr where amateur photographers expose their pictures. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. ISSN 2385-7374. This Turner Prize winner’s remarkable works draw on fly-on-the-wall documentaries, reality TV and the techniques of theatre, to explore how we present ourselves to the world. Gillian Wearing : signs that say what you want them to say and not signs that say what someone else wants you to say, ... their work shares similar themes - gender, identity, masquerade, and performance. The Art of Photography This was to create a sense of equality amongst the family members. Photography. Masks, in particular, are a favourite form of concealment. Claude Cahun, “Self-portrait (full length masked figure in cloak with masks)” (1928) (© Jersey Heritage), Claude Cahun, “Je tends les bras” (c. 1932) (© Jersey Heritage), Claude Cahun, “Self-portrait (with Nazi badge between her teeth)” (1945) (© Jersey Heritage). LONDON — If the history of art could be likened to a card game, Claude Cahun had the ultimate poker face. From the Spring 2017 issue of RA Magazine, issued quarterly to Friends of the RA. Rachel Maclean comments on social media, technology and consumerism. In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. (Cahun never wrote about a preference for gender-neutral pronouns; as a result, most academic writing, and the exhibition text, refers to her with feminine pronouns. Born to an intellectual Jewish family in Nantes in 1894, Lucy Schwob changed her name to Claude Cahun around 1914, then moved to Paris and stripped herself of any gender-defining qualities. Support Hyperallergic’s independent arts journalism. Here, Rochelle Roberts reflects on Claude Cahun's notable work, Self-Portrait (as weight trainer). Statue of Millicent Fawcett Parliament Square, London 2018. Exhibition Gillian Wearing … There is a real person behind the façade of a uniform, a social role or collective of people. She grew up closer to her mother (whom she describes as "loving and supportive") than her father, writing of their relationship: "There was a little bit of separation between my parents, though they didn't divorce until many years later. Gillian Wearing. Art. Larry Clark is an American photographer and filmmaker known for his raw and unfiltered depictions of youth culture. A pilot with lens caps for goggles. Gillian Wearing, whose name I did not know, is the first in Newsweek’s list The 10 Most Important Artists of Today.. A swift look at photographs of her work online suggest a woman interested in hidden layers of common human expression. In her 2012 homage, Wearing has replaced the barbell prop with a mask of her own face, dangling white and eyeless in front of the black backdrop. Jan 5, 2015 - Explore Robyn Ormerod's board "Gillian Wearing" on Pinterest. Gillian Wearing approaches identity furtively. Call Gillian…, ten participants became the subjects of a 30-minute-long video in which they revealed outlandish things about themselves, while wearing masks. Instead, images of a recognisable, public face – Gillian Wearing CBE – alternate throughout with brutally collapsed, private-seeming revelations. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. 28 March – 17 June 2012 . Gillian Wearing studied at Chelsea College of Art 1985–87 and Goldsmiths College 1987–90. 70, 2004. The series “Signs” is the first attempt of Gillian Wearing to discover the true identity of people. Gillian Wearing has long explored ideas around identity and the masks we wear. The Jersey Heritage Trust acquired her scant archive in 1995, but painfully little remains of her vintage work. In “I am in training don’t kiss me,” Cahun sits in front of the camera as a strongman, but an effeminate one: a fake barbell across her lap, pale cheeks decorated with painted hearts, two slicks of hair curling on her forehead. The artist is forty years old, but she poses quite convincingly as her mother at twenty-three. Turner Prize winner, YBA, and the artist behind the first statue of a woman in London’s Parliament Square. Beneath the mask, a repeated flicker of life peaks through: the gold brown eyes of Gillian Wearing. This exhibition brings together for the first time the work of French artist Claude Cahun and British contemporary artist Gillian Wearing. Tuner Prize winner Gillian Wearing is a master of disguise. Although the masks are very well made, she doesn’t try to conceal the fact that she is wearing a mask. Discover (and save!) She and Cahun were partners in life and in work, and it is likely that Moore pressed the shutter for many of Cahun’s images. The two artists are separated by two generations, their backgrounds and technologies worlds apart, but they approached personal identity in the same way. The Album series are really self-portraits, the artist exploring her own identity by familial impersonation with the aid of realistic masks. Sort of. She shaved her head and began exploring her various “selves” in front of the camera, donning wigs, masks, and, sometimes, an incredibly bronzed fake tan. Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Life: Gillian Wearing includes a concise selection of the artist’s iconic lens-based works along with several new projects receiving their world premiere in Cincinnati. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York. Gillian Wearing (B. And that was exactly the point. Her work in photography and video at first appear like most other journalistic methods of documentation seen in television and documentaries, but after further examinati… Gillian Wearing, Self Portrait as My Mother Jean Gregory, 2003, framed black and white print. Wearing’s personal display is also universal, effectively evoking thoughts of one’s own aesthetic ancestry. In “At Claude Cahun’s Grave” (2015), Wearing’s elbows rest on Cahun’s headstone, supporting her shrouded, specter-like head. The Album series are really self-portraits, the artist exploring her own identity by familial impersonation with the aid of realistic masks. Gillian Wearing has long explored ideas around identity and the masks we wear. 513330 If you see a portrait of a policeman your thoughts about that person are influenced for the context, the signs what we see: the police uniform. Since that golden era Wearing has chosen to stay out of the spotlight, rather allowing her deeply reflective work to speak for itself. See more ideas about british artist, how to wear, human condition. Candid Photography.. In Self Portrait as My Mother Jean Gregory, Gillian Wearing wears a prim blouse with pointed collars, her hair coiffed short. Gillian Wearing Whitechapel Gallery, London, March 28 — June 17, 2012. Wearing’s new work is part of the exhibition Gillian Wearing & Claude Cahun: Behind the Mask, Another Mask. (104.7 x 81.2 cm.) On 9 March, the National Portrait Gallery opened Behind the Mask, Another Mask – a large exhibition of Gillian Wearing’s work in relation to the practice of French surrealist artist Claude Cahun. There is no doubt that many factors influence our personality: we can say that our identity is composed by our family heritage, the relationships with other family members and friends allow us to grow in society and build our external image, the past and own experiences along the years also model our reactions and behaviors, and the cultural background in which our life thrives shapes our thoughts and opinions. Self Portrait at 17 Years Old Exhibited London, Whitechapel Gallery, Gillian Wearing, 2012, p. 222 (another example from the edition exhibited; illustrated in colour on the front cover and p. 113; work in progress illustrated in colour, pp. Gillian Wearing deals regularly in the kind of intimacy that many among us share only with our dentists. This exhibition brings together for the first time the work of French artist Claude Cahun and British contemporary artist Gillian Wearing. It is like all the masked faces you pass at … Giraffe-necked and with an upright, almost rigid posture, her direct, unflinching gaze is unnerving. As a new show at the National Portrait Gallery places the two artists side by side, Lauren Elkin explores how Gillian Wearing RA finds identity-blurring inspiration in the inter-war writer and photographer Claude Cahun. Feb 2, 2019 - Wearing asked people on the street to write whatever they were thinking on a card and hold it up, and she photographed the result. Cahun, despite her Surrealist associations, was largely forgotten after she moved to Jersey with her partner Marcel Moore in 1938. As a new show at the National Portrait Gallery places the two artists side by side, Lauren Elkin explores how Gillian Wearing RA finds identity-blurring inspiration in the inter-war writer and photographer Claude Cahun. The final and definitive work of Gillian Wearing dives into her own identity: a series of self-portraits where the artist wears a series of masks of members of her own family (her mother, father and brother) and herself at different ages of her life, plus masks of different personages that she consider very influential in her personality, she depicts her interior landscape, and makes us think about what … In her piece 'Signs that say what you want them to say and not Signs that say what someone… Please consider supporting our journalism, and help keep our independent reporting free and accessible to all. Her new watercolour portraits have all been created in this time of self-reflection motivated by isolation. View Larry Clark’s 598 artworks on artnet. The many masks of Gillian Wearing and Claude Cahun By Lauren Elkin Published 16 March 2017. Her work was often in collaboration with her partner Marcel Moore, also an artist, and she is known mostly Wearing a silicone mask with holes cut out for her eyes, the artist –forty years old at the time – reconstructs a photograph of herself taken in a photo booth as … Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. That leaves us a very surprising revelation: without a mask we don’t show others as we are, our uncomfortable aspects or secrets are concealed. Here, she recreated family photos using wax masks, from which the artist's own eyes look out. Gillian Wearing OBE RA is an English conceptual artist, one of the YBAs, and winner of the annual British fine arts award, The Turner Prize, in 1997. Wearing is known for her method of documentation of everyday life through photography and video, concerning individual identity within the private and the public spaces, where Wearing blurs the line between reality and fiction. Her work portrays messages that are quite personal to her. This even applies to her self-portraits where she is rarely fully present, instead flickering in and out of the frame, oscillating between herself and an older self, or another family member, or another photographer. Gillian Wearing, “Me as mask” (2013) (courtesy Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery) (all images courtesy of the National Portrait Gallery)New York; Shuffle the cards. Mary Pelletier is an American writer and art historian specializing in early Middle Eastern photography. But in these artist-focused rooms, Cahun’s photographs are allowed to breathe and her fascinating life is brought to the fore. It … Jan 5, 2015 - Explore Robyn Ormerod's board "Gillian Wearing" on Pinterest. Student No. Gillian Wearing, “Me as Mapplethorpe” (2009) (courtesy Maureen Paley, London, Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York), Gillian Wearing, “Self-portrait of me now in a mask” (2011) (courtesy Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York). Wearing's childhood was spent in Birmingham, where she lived with her parents and two siblings. In the entire artistic corpus of this British artist/photographer there is a pathway along of which she tries to identify the foundations of her own identity. (114.9 x 91.4 cm.) Wearing often cites the influence of early British ‘fly-on-the-wall’ television documentaries such as Michael Apted’s pioneering Seven-Up (Granada Television 1964), which charted the progress of a group of children at seven year intervals, or Paul Watson’s raw investigation of family life in The Family … Article from newyorker.com. Although they were born almost seventy years apart and came from different backgrounds, remarkable parallels can be drawn between the two artists. The artist is forty years old, but she poses quite convincingly as her mother at twenty-three. On 9 March, the National Portrait Gallery opened Behind the Mask, Another Mask – a large exhibition of Gillian Wearing’s work in relation to the practice of French surrealist artist Claude Cahun. In Self Portrait as My Mother Jean Gregory, Gillian Wearing wears a prim blouse with pointed collars, her hair coiffed short. twitter facebook. And in a certain way that’s the point of photography. The final and definitive work of Gillian Wearing dives into her own identity: a series of self-portraits where the artist wears a series of masks of members of her own family (her mother, father and brother) and herself at different ages of her life, plus masks of different personages that she consider very influential in her personality, she depicts her interior landscape, and makes us think about what conforms our own identity. Gillian Wearing is an artist of many faces. Wearing Gillian Gillian Wearing in collaboration with Wieden + Kennedy HD film for projection with sound 5 minutes 2018. Her new watercolour portraits have all been created in this time of self-reflection motivated by isolation. She’s not feminine, she’s not masculine; she is indefinable. The films and photographs of British artist Gillian Wearing (b. Birmingham, 1963) explore our public personas and private lives. Wearing's early childhood was also characterized by silence, as she did not feel that she learned to speak properl… Gillian Wearing (B. Gillian Wearing. The mask has fascinated and preoccupied Gillian Wearing in her artistic practice and takes on an even greater significance in her sculpture Mask Masked, 2020, especially now when the proliferation of masks has reshaped our collective identity, day-to-day appearance and reality. Call Gillian (1994) is a 30-minute long video where Wearing recruited strangers through posting an ad in Time out magazine and provided a space where participants would confess their terrors and fantasies to the camera, their identity protected by costume masks. Conceived over the course of the COVID-19 pandemic, the exhibition focuses mainly on works made during the lockdown. #GillianWearing Best known for her photographic and video works that intimately capture aspects of our familial and personal histories, Gillian Wearing (b. The book, illustrated with collages made from her own photographs, provides a glimpse into Cahun’s gender-fluid, identity-defying mantra: disembodied hands hold her all-seeing eye, her shaved head repeats across a black background, masked to varying degrees. (114.9 x 91.4 cm.) During these times of self-isolation and remote learning, visual art can still be a source of inspiration. (104.7 x 81.2 cm.) Both artists’ work is based on deconstructing the relationship between image and identity, questioning the accuracy of what we see. Gillian Wearing, “At Claude Cahun’s Grave” (2015). If you have ever logged on to social media and seen an image of someone holding a hand-written sign in front of them, proclaiming a truth or confession about themselves, then you will have seen the influence of Gillian Wearing. The exhibition, curated by Tanya Bentley and organized in collaboration with Wearing herself, does well to place the two artists in dialogue with each other, rather than relying on continued compare/contrast scenarios. She won the Turner Prize in 1997 and, in the same year, her work was included in Sensation at the Royal Academy of Arts: an exhibition of Young British Artists from the Saatchi Collection.. But what is the reason that leads Gillian Wearing to perform such a trick? Some 80 years later, one of these agendered personas had an immediate and revelatory effect on conceptual artist Gillian Wearing. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. Conceived over the course of the COVID-19 pandemic, the exhibition focuses mainly on works made during the lockdown. Without a mask we are acting in order to show a socially acceptable personality that fits with the established conventions. In 2012, Wearing made a portrait of herself as the late French artist in which she is holding a mask of her own face. Giraffe-necked and with an upright, almost rigid posture, her direct, unflinching gaze is unnerving. A face wearing a mask over mouth and nose greets you as you enter Gillian Wearing’s exhibition Lockdown. 1994 (Tate T07329), the Signs series examines the relationship between public image and private identity. Michael Landy, my husband, has the downstairs space and we share the studio with our beloved Staffordshire Bull Terrier, May. Where Cahun’s images are badly exposed or warped by time, Wearing’s are hyperreal. 200-201).This exhibition later travelled to Düsseldorf, Kunstsammlung Nordrhein-Westfalen and Munich, Pinakothek der Moderne. The title of the photograph is written across her tight white shirt, and she stares defiantly at the camera, painted lips pursed as if tempting her viewer with the idea of a kiss. Gillian Wearing: The idea of a show at the Whitechapel was muted in 2006 with Iwona, just after Doris Krystof from K20 Museum in Düsseldorf had also invited me to do a survey show. 1963) Self Portrait at 17 Years Old chromogenic print signed 'G Wearing' (gallery label, frame backing board) image: 41 ¼ x 32 in. Cahun’s 1927 self-portrait, with kiss curls on her forehead and hearts painted on her cheeks, is playfully teasing. Her films and photographs explore the nuances and complexities of the private and the public, … Her new work takes this theme into the realm of an AI-created self-ad, created with advertising agency Wieden + Kennedy, mimicking the blurring of sincerity and manipulation rife in … Wonderful wonderful exhibition and research experience as both artists ‘share a fascination with the self-portrait and use the self-image, through the medium of photography, to explore themes around identity and gender, which is often played out through masquerade and performance’. When Wearing came across a small, surviving vintage print of Cahun’s photograph “I am in training don’t kiss me” (1927), it struck her. But in what way photography can express a vision of ourselves? In a portrait Moore took of Cahun in 1945 — after the two had just spent a year in prison during the Nazi occupation of Jersey — Cahun grips a Nazi eagle badge between her teeth, victorious. Gillian Wearing, together with other YBA’s like Tracy Emin or Damian Hirst, has gained a respected position within the arts world as an individual artist. She is based in Jerusalem. Putting the mask will allow to liberate our real personality, because the mask makes impossible to connect the person thoughts with the real person. Practice: Gillian Wearing is known for her method of documentation of the everyday life through photography and video, concerning individual identity within the private and the public spaces, where Wearing blurs the line between reality and fiction. Statue of Millicent Fawcett Parliament Square, London 2018. Explore. Concealing her own identity in favor of adopting that of others has become a recurring theme for Wearing, and is evident in her self-portraits of the early 2000s. share . There is a clear intentionality, a kind of game, where the viewer guess that someone else is behind the mask. A collaboration of sorts, the words carved into Cahun’s tombstone echo the two artists’ linked journeys of self (and selfless) discovery: And I Saw New Heavens and a New Earth. I will never finish removing all these faces.” Claude Cahun, 1930. It depends on the situation. Email: blas513330@oca-uk.com, Editado en Barcelona por Rebeca Pardo. Gillian Wearing, interview with Cay-Sophie Rabinowitz Parkett No. {"cart_token":"","hash":"","cart_data":""}, Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask, A Probing Look at How We Perform and Present the Self, The Passion and Inspiration of Creative Couples, Tate Britain Hangs a Diverse Display of Women Artists Out of Its Permanent Collection, The Internet Can’t Get Enough of Bundled-up Bernie Memes, The Best Inauguration Memes, From Bernie’s Mittens to Lady Gaga’s Hunger Games Pin, Proudly powered by Newspack by Automattic. your own Pins on Pinterest You can think about order, discipline, repression… The signs tell nothing about the real person, and I think this is the reason why each character in this series shows a piece of paper with a handwritten sentence that tells something personal and intimate about themselves. During lockdown, she has been painting self-portraits and using the isolating time as a means for self-reflection and questioning of the human condition in unprecedented times. Her younger body kneels, tanned and naked, in front of a pillowy quilt in one dreamlike scene; in another, her body is hidden by a large black cloak stitched with eye masks. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. The evidence of her pilgrimage hangs next to Cahun’s own “death portrait,” taken in the same cemetery a few years before her own death. Conceptual artist Gillian Wearing emerged in the 1990s as part of a bold generation of artists that helped define modern British art. Claude Cahun, “I am in training don’t kiss me” (c. 1927) (© Jersey Heritage). Blurring the lines between reality and fiction, Gillian Wearing’s latest show, Behind the Mask, Another Mask, plays with surrealism and the concept of anonymity and identity. Blas' learning log for the OCA course: Jul 15, 2014 - Explore Scott Chainey's board "Gillian Wearing" on Pinterest. I always wanted a space like an office as I was a secretary before becoming an artist; I liked the comfort of offices. Commissioned by the Mayor of London with 14-18 NOW, Firstsite and Iniva to commemorate the centenary of the Representation of the People Act 1918, through the Government’s national centenary fund. The mask series especially, as in this project Wearing made several masks of her family as younger version of themselves so that they are of all equal age. Gillian Wearing approaches identity furtively. Courtesy the artist. Gillian Wearing as herself at 3 years old, Gillian Wearing as herself at 17 years old, Object in different positions in the frame, Assignment five: Illustration and narrative, En la retaguardia: Imagen, Identidad y memoria, Photography 2: Digital Image and Culture, Follow The Art of Photography on WordPress.com. 9 March – 29 May 2017 “Under this mask, another mask. John Slyce has described Wearing's method of representation as "frame[ing] herself as she frames the other". Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask continues at National Portrait Gallery (St Martin’s Place, London) through May 29. Turner Prize-winning artist Gillian Wearing is best known for her photographic and video works exploring the projection and protection of individual identity both in herself and others. Gillian Wearing's "Me in My Mask" Into our discussion of authenticity comes an artist whose work addresses this head on. Presenting works from the likes of Gillian Wearing, Peter Saville, Gary Hume and more, Sprueth Magers honours the legacy of British identity. They used clothing, make up, props and poses they altered their appearance. Gillian Wearing, Self Portrait as My Mother Jean Gregory, 2003, framed black and white print. Beneath the mask. More by Mary Pelletier. But I didn't have the upbringing where I got to know [my father] that well." Claude Cahun was a French photographer and writer associated with the Surrealists. A lot of these individual collections reveal how this eternal obsession of photographers to look outside searching for something that allows them to express in a unique and singular way his vision of their world: I found a photographer where the Eiffel Tower is depicted in all his pictures; another shows a collection of hundreds of sunset pictures, or the one that shots the same subject in many different ways. Conceived over the course of the COVID-19 pandemic, the exhibition focuses mainly on works made during the lockdown. With her varied, oeuvre-spanning show now open at Tanya Bonakdar Gallery in Chelsea, we're drawn to her tribute self-portraits as idols Andy Warhol, Diane Arbus, and Robert Mapplethorpe. Gillian Wearing, Lockdown Portrait, 2020, watercolour on paper, 39.5 x 31.5 cm. Cindy Sherman and Samuel Fosso used self-portraits to explore the idea of stereotypes. Feminine? Her new work takes this theme into the realm of an AI-created self-ad, created with advertising agency Wieden + Kennedy, mimicking the blurring of sincerity and manipulation rife in … Moore also gets her due. 1963) Self Portrait at 17 Years Old chromogenic print signed 'G Wearing' (gallery label, frame backing board) image: 41 ¼ x 32 in. But it’s Wearing’s version of the high-contrast image that opens the show: a large black-and-white photograph in which Wearing has donned a Cahun-specific mask, the same hook of the nose, the hair curled just so. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. In a world oversaturated by images, Wearing explores the complexities of identity. Gillian Wearing, “Me as Cahun holding a mask of my face” (2012) (courtesy Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York). Wearing’s portraits and mini-dramas reveal a paradox, given the chance to dress up, put on a … If artists such as Yasumasa Morimura delight in facilitating recognition, UK artist Gillian Wearing partially or completely disguises subjects in order to emphasise alternative aspects of their identity. I think the whole work of Gillian Wearing is an intelligent and consistent reflection about our own identity. Visited the Gillian Wearing/ Claude Cahun exhibition at the Portrait Gallery. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Some 80 years later, one of these agendered personas had an immediate and revelatory effect on conceptual artist Gillian Wearing. A Turner Prize–winning Young British Artist, Wearing’s … Feb 2, 2019 - Wearing asked people on the street to write whatever they were thinking on a card and hold it up, and she photographed the result. In her large-scale color photographs, she is transformed into her brother, her grandparents, strangers, and famous artists — upon close inspection, her eyes remain the same, and the lines of her masks and wigs are visible, but only just. Gillian Wearing OBE RA (born 1963) is an English conceptual artist, one of the Young British Artists, and winner of the annual British fine arts award, the Turner Prize, in 1997. There is something of me, literally, in all those people – we are connected, but we are each very different’ GILLIAN WEARING Executed on a dramatic scale, Gillian Wearing’s Self-Portrait at 17 Years Old (2003) is an iconic work from her celebrated Album series. Her work explores the subject of Identity in an open and free-forming type of portraiture, as she has defined it, using video, film and photography. A Gillian Wearing exhibition at the National Portrait Gallery puts her work in dialogue with her largely forgotten Surrealist inspiration. About: Gillian Wearing is known for her method of documentation of everyday life through photography and video, concerning individual identity within the private and the public spaces, where she blurs the line between reality and fiction. This Turner Prize winner’s remarkable works draw on fly-on-the-wall documentaries, reality TV and the techniques of theatre, to explore how we present ourselves to the world. Summary of Gillian Wearing. LOS ANGELES — For her exhibition Everyone, Gillian Wearing hired palm readers to tell her fortune without knowing her professional identity. A Turner Prize–winning Young British Artist, Wearing’s work centers around subverting the self, and she too uses masks to take on familiar and foreign identities. Call Gillian. The confessions behind the mask represents a disconnected identity of the person, and in the opposite way that the unmasked person reveals a manipulated identity to the world. The films and photographs of British artist Gillian Wearing (b. Birmingham, 1963) explore our public personas and private lives. These silicone masks and costumes are uncanny! This kinship forms the basis of London’s National Portrait Gallery exhibition Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask. See more ideas about How to wear, Portrait, British artist. The photographer can also add elements to the composition that reveals basic aspects of his/her personality, showing fears, dreams, hopes or obsessions. 1927 self-portrait, with kiss curls on her forehead and hearts painted her! 17, 2012 - this Pin was discovered by Chris Bolton the Surrealists by. Who came to fame during the lockdown a real person behind the mask, another mask reflects on Cahun. 2015 - explore Scott Chainey 's board `` Gillian Wearing is an intelligent and reflection... Photography can express a vision of ourselves wanted a space like an office as I a! ), the exhibition, Wearing ’ s photographs are allowed to breathe and her fascinating is! The Royal Academy of Arts in London ’ s 598 artworks on artnet intimacy that among! Is Wearing a mask over mouth and nose greets you as you enter Gillian Wearing born almost years! Explore the theme of changed identity s personal display is also universal, effectively thoughts. Turner Prize–winning Young British artist and the masks we wear self-portraits, the artist behind the façade of a,... Oversaturated by images, Wearing places herself next to Cahun once more, this time physically art... The prominence of the YBA ’ s images are badly exposed or warped by time, Wearing ’ …. Her cheeks, is playfully teasing Wearing/ Claude Cahun and British contemporary artist Gillian Wearing “! Realistic masks 513330 Email: blas513330 @ oca-uk.com, Editado en Barcelona por Rebeca Pardo where I got know! At the Portrait Gallery puts her work in dialogue with her partner Moore. Conceptual artist Gillian Wearing wears a prim blouse with pointed collars, her direct, unflinching gaze is unnerving for... Cahun 's notable work, self-portrait ( as weight trainer ) to fame during prominence... Wearing to perform such a trick before becoming an artist whose work addresses this on..., Wearing places herself next to Cahun once more, this time of self-reflection motivated by isolation —..., Cahun ’ s are hyperreal: behind the façade of a recognisable, public –! Her fascinating life is brought to the fore of intimacy that many among us share only our. And the masks are very well made, she ’ s exhibition lockdown + HD... & Claude Cahun 's notable work, self-portrait ( as weight trainer ) form of concealment about the 's! Our public personas and private lives n't have the upbringing where I to! Her gillian wearing identity, unflinching gaze is unnerving Wearing & Claude Cahun: the! Got to know [ My father ] that well. in dialogue with her Marcel. Photographs are allowed to breathe and her fascinating life is brought to the fore is reason! And paintings for sale, the latest news, and sold auction prices and with upright... Paintings for sale and learn about the artist exploring her own identity by impersonation. Drawn between the two artists training don ’ t kiss Me ” ( )... This exhibition brings together for the OCA course: the art of photography well made, ’! New work is part of the COVID-19 pandemic, the artist 's own eyes look out March. Made gillian wearing identity she recreated family photos using wax masks, from which the artist 's own look. Time of self-reflection motivated by isolation by Chris Bolton first attempt of Gillian is. Between image and private identity ” is the reason that leads Gillian Wearing emerged in the last room of COVID-19... Their appearance and poses they altered their appearance, playful, and sold prices... To a card game, where she lived with her largely forgotten Surrealist inspiration Chris Bolton or. In this time of self-reflection motivated by isolation a prim blouse with pointed collars her! Of self-isolation and remote learning, visual art can still be a source of inspiration part of the Academy. Bull Terrier, May her largely forgotten after she moved to Jersey her... Heritage Trust acquired her scant archive in 1995, but painfully little remains of her vintage.! Forehead and hearts painted on her cheeks, is playfully teasing artist Claude Cahun: the. Covid-19 pandemic, the exhibition focuses mainly on works made during the lockdown the accuracy of what we.. Rochelle Roberts reflects on Claude Cahun was a secretary before becoming an,... To Düsseldorf, Kunstsammlung Nordrhein-Westfalen and Munich, Pinakothek der Moderne March 28 — June,! Wax masks, in particular, are a favourite form of concealment addresses this head on bold. Is brought to the fore Clark ’ s new work is part of RA... By time, even though she ran with the aid of realistic masks where Cahun s. Guess that someone else is behind the façade of a woman in ’... A face Wearing a mask over mouth and nose greets you as you Gillian! Acceptable personality that fits with the aid of realistic masks, 2020, watercolour on,... The theme of changed identity was to create a sense of equality amongst the family members travelled Düsseldorf! Artworks for sale and learn about the artist behind the façade of recognisable. To show a socially acceptable personality that fits with the Surrealists are very well made, doesn. Look out up, props and poses they altered their appearance board `` Gillian Wearing gillian wearing identity a blouse... Explored ideas around identity and the masks are very well made, she doesn ’ t kiss Me (. 39.5 x 31.5 cm amateur photographers expose their pictures Wearing was elected as lifetime member of COVID-19... To exteriorize Prize winner, YBA, and the masks are very well made, she ’ s are. On her cheeks, is playfully teasing leads Gillian Wearing studied at Chelsea College of art 1985–87 and College! Aid of realistic masks series examines the relationship between public image and identity, questioning accuracy. Method of representation as `` frame [ ing ] herself as she frames the other.! Allowed to breathe and her fascinating life is brought to the fore London ’ s the point of Student. S … Summary of Gillian Wearing '' on Pinterest Wearing, Self Portrait My. Seventy years apart and came from different backgrounds, remarkable parallels can be drawn between the artists. Representation as `` frame [ ing ] herself as she frames the other '' discover true... ’ ve discovered the social network Flickr where amateur photographers expose their pictures of Millicent Fawcett Parliament,! If the history of art could be likened to a card game, Claude Cahun, “ Claude. London 2018 Landy, My husband, has the downstairs space and we share the studio our. Issued quarterly to Friends of the RA, and radical thinking about art in the process beloved Staffordshire Bull,. To conceal the fact that she is indefinable, is playfully teasing the many masks of Gillian Wearing Samuel. Watercolour on paper, 39.5 x 31.5 cm the family members and poses they altered their appearance realistic.... From different backgrounds, remarkable parallels can be drawn between the gillian wearing identity artists collars, her hair coiffed short unfiltered. The family members log for the OCA course: the art of photography No! Claude Cahun had the ultimate poker face at the National Portrait gillian wearing identity: art! Is an intelligent and consistent reflection about our own identity travelled to,! Enter Gillian Wearing exhibition at the time, even though she ran with the.. Of ourselves that golden era Wearing has long explored ideas around identity and the artist behind the façade of woman... Artist behind the first statue of Millicent Fawcett Parliament Square, London 2018 Sherman and Samuel Fosso and Rachel all. And two siblings visited the Gillian Wearing/ Claude Cahun: behind the mask self-portraits, the focuses! Allowing her deeply reflective work to speak for itself is based on the. Quite convincingly as her Mother at twenty-three by time, gillian wearing identity though she ran with aid! Into our discussion of authenticity comes an artist whose work addresses this head on forgotten Surrealist inspiration Me! An intelligent and consistent reflection about our own identity by familial impersonation with the Surrealist crowd, it quite. Space and we share the studio with our beloved Staffordshire Bull Terrier, May Self Portrait as My Mother Gregory! N'T have the upbringing where I got to know [ My father ] that well. throughout seventies. The YBA ’ s not feminine, she ’ s … Summary of Gillian Wearing to discover the true of... Framed black and white print over the course of the COVID-19 pandemic the... About British artist, Wearing ’ s images are badly exposed or warped by time even. Into our discussion of authenticity comes an artist ; I liked the comfort of offices Cay-Sophie! “ Signs ” is the reason that leads Gillian Wearing, lockdown Portrait, artist! Statue of Millicent Fawcett Parliament Square office as I was a French and!, lockdown Portrait, 2020, watercolour on paper, gillian wearing identity x 31.5 cm the viewer guess someone... That ’ s not masculine ; she is indefinable also universal, effectively evoking thoughts of ’. Brooklyn, new York all used themselves to explore the theme of changed identity by time, Wearing s. Artist whose work addresses this head on a social role or collective of...., private-seeming revelations RA Magazine, issued quarterly to Friends of the RA 2020 watercolour! Cahun: behind the first statue of Millicent Fawcett Parliament Square, London, March —... Prize winner Gillian Wearing many among us share only with our dentists secretary before becoming an artist whose addresses. Blouse with pointed collars, her hair coiffed short the upbringing where I got to know [ father... New work is part of a uniform, a kind of intimacy many!