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There are many great microphones on the market, but two of the most popular are the Neumann KMS 105 and Shure KSM9. Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Spitfire Audio Hans Zimmer Collection. There were four models in AKGs dual-capsule range, starting with the D200. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! Theyre both handheld condenser mics optimised for live performance. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. On the surface this mic looks very similar, with the same sleek design. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? Big venue or loud stage this mic will definitely cut through the . Your IP: If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. The Sennheiser also has a slightly larger diaphragm than the Shure. Traditional microphones confine the performer to a specific distance from the microphone. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. Find out more about how we test. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. However the KSM9 is noticeably cleaner and brighter. However, some singers will need more control over the way their voice sounds. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. It's the industry standard live vocal mic. The sound engineer will normally mute the mic from the mixing desk when needed. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. Its a departure from their simply constructed dynamic live mics. Given the sensitivities of condenser mics, why would anyone risk using one on stage? Future Publishing Limited Quay House, The Ambury, AK8C. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. Try a good quality boom stand, with a tripod base like the K&M 210/2. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. Available colors: User rating: 71. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. 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At a similar price, therere many comparisons to be made between the 105 and the KSM9. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. The Shure KSM9 has a sleek metal solid-colour design. Beta 87A on UHF-R Wireless. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. i recently bought neumann kms105 shure ksm8 and shure ksm 9 hs.. i am very satisfied from all as a better sound choice i choose neumann kms105 but for very very hard and dificult situations i mean bad places bad speaker place very easy to get feedback from mics i choose the ksm 9 hs on hypercardioid This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. Internal shock mount and capsule stabilization mean minimal handling noise. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. 0:00 Intro 1:12 Shure KSM8 Only Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. The Neumann KMS 105 has a more natural sound and is more durable than the Shure KSM9. But there are some differences. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. BACK. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. XLR cables are the only cables capable of carrying phantom power to the mic. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . All in all, the KSM9 offers a very happy medium. When you purchase through links on our site, we may earn an affiliate commission. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. It can also be a bit more forgiving when it comes to microphone technique. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. KSM8. Our robust and effective solutions create market success. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. This means theyre prone to overload and distortion from louder singers. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. So, are there any downsides? This makes them very different types of mic, each with their own internal circuitry. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, Shure are registered trademarks of Shure Incorporated in the United States. KSM8. In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. 210.65.88.143 OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. None. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. Shure KSM9 is a professional on-stage condenser mic. The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. Sandusky, MI, United States (26) SHURE KSM9/CG/ KSM8/N: Superior dual-diaphragm dynamic microphone with a brushed-nickel finish. You can easily make one of these out of stockings, or buy one here. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. Unlike with other mics, both patterns of KSM9 work flawlessly. Looking at the mics published specifications, the frequency response is given as 40Hz to 16kHz, but these appear to be the limits at which the response has fallen by 10dB relative to the level at 1kHz. Theres nothing quite like knowing your audience are listening to a high quality sound. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. This can really work well for folk, jazz and classical styles. Essential was founded with a belief and mission to empower people through design. Both patterns arestandard and both can be as useful in different situations. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Therefore, if you can afford this mic, go ahead and start digging that difference. ksm9 hs surprising on no feedback. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. I prefer the KSM9 over the Beta87C. Shure's KSM9 is a stage condenser in a traditional handheld form factor. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. The lows are being naturally rolled off to avoid that unwanted mud and boominess. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. The kms105 is super clean, clear . In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. The Shure KSM9 is also a great choice for studio vocals. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. With this taken care of, theres many advantages to using a condenser mic. I think the champagne looks very chic! In Europe, call 49-7262-92490. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. These marks may be registered in other jurisdictions. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. They call it a three-stage grille or simply triple grille. The KSM9 is slightly more expensive but offers better sound quality and features such as a detachable cable. Its an effect used by radio presenters to give them very deep voices. Off-axis frequency response is very smooth. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. Over 90 years of audio experience has contributed to making this one of the finest microphones available. . Hi Peter Developments in powerful, rare-earth magnetic materials have helped a lot here, and the KSM8 uses a Neodymium magnet in a micro-injection mould of aerospace SoftMag material (whatever that is!) In the meantime, I want to focus first on the development of Shures remarkable new microphone. MA 02210. As a premium mic, the KSM9 is certainly pricey. Forums for Audio Professionals, Run by Audio Professionals. Elegantly crafted products that are simple, useful, and desirable. Show details. Does anyone have any experience with the KSM9? Its one of those things that comes down to personal taste. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Turn your old gear into new gear with the Sweetwater Gear Exchange! Have a question or request? The KSM9 microphone typically runs around $700 in a wired configuration. Happy customers, one piece of gear at a time! However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. This means an even, predictable low-end as the distance from the mic changes. They are just in completely different leagues. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! Dualdyne capsule continues the ongoing evolution of microphone technology. Where the magic happens! Q. Theres no on/off switch on the KSM9 or any of the Shure KSM range. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! This is also a good position for any sudden loud notes, or to shape, and tail off a long note. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. KOHN MUSIC STORE. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. These are the vibrations in the sub bass range that youll feel more than hear. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. 27 Wormwood St Performance & security by Cloudflare. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. Thats a tough one. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. Crucially for a live condenser, theres also a suspension shock mount. She will be using IEM with this mic. So having the benefits of that technology available on stage for the live-sound market is very appealing. Shure Audio Institute. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! Are there any favorites on the Sennheiser end of things? Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. All rights reserved. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology.